I don’t know how many other writers have this problem, but if I can’t visualize a scene, it’s like banging my head into a brick wall to get through it. I’ve hit that point in my current work in progress. I have a solid opening to the novel, and I know where I want to go with it. I have clear ideas about the themes, tone, characters, motifs, plot, and many of the settings. Now, usually, I just go from the last section I’ve written and see if things start to connect up. Usually, once I start writing, I start being able to picture the events unfolding, and it all goes fine. So what happens when, like now, the scene doesn’t start playing out on its own?
It’s not exactly writer’s block. I can write what the character is thinking just fine. It just isn’t going anywhere. Here are some steps I generally take to move forward:
- Keep writing what the character is thinking – I can always trim it to a “scraps” file if it isn’t necessary to the book – until something clicks.
- Work on the setting. Where is the scene taking place? Did I pick that setting for a reason, or was it just the first thing I thought of? If the former, then why is that setting important? What about that setting helps move the scene forward? Is there something the character notices in the setting that causes a reaction or a realization? If I picked the setting because it was just the first idea I had, then (a) Was there actually a purpose to the setting that I didn’t realize? and (b) if not, is brainstorm at least three alternative settings and try them out. For example, did I pick a coffee shop because that seemed like a “normal” setting? Do I even want a “normal” setting for this scene? What if I picked a library’s room for rare and antique volumes, an abandoned train station, or the alligator house at a zoo?
- Work on the details. Going off the previous idea, if I want to picture a setting, I need to think about the details if they aren’t coming automatically. Usually the first place I start is making sure I have at least one detail per sense – sight, hearing, touch, smell, and taste. And touch doesn’t have to be texture. It could be air pressure, humidity, temperature.
- Find something external that inspires you. For me, music is often the key to getting my brain going. If I hear a song that fits the story or the character, everything can just click into place at once. Some of my favorite scenes from Erica Flynn came about entirely as the result of daydreaming while listening to music. Something I like to do these days is look around Pinterest for inspiration. Between the architecture, nature, art, and travel pins, there’s usually something that strikes me and gives me something to start with.
- Writing exercises. There are plenty of writing exercises to get you going when you don’t have a story yet, but there are also plenty out there to help you once you’ve got a story going – and even for the revision process – and are having trouble getting it where you want it. My personal go-to when I’m struggling is Donald Maass’ The Fire in Fiction, which is chock-full of advice, examples, and exercises for character, plot, setting, tension, bad guys, good guys, and everything in between.
- Back up. Instead of trying to force a scene that’s lying there like a miserable blob on the page, consider that it might not be working because you’re trying to do something wrong for the story. Are you ignoring a character’s reservations about something? If so, back up and use those reservations to create inner conflict – that’s prime stuff! Are you trying too hard to make something happen that doesn’t need to happen? Are you trying to put in a scene that isn’t necessary, that’s just padding in the end? Are you writing yourself into a corner? Sometimes you subconsciously know better, and it’s worth listening to the signals. For example, I just realized that I’m totally ignoring the fact that, even though my character has motivation to do something she’s been asked to do, she currently has no reason to be in a hurry about it. *facepalm* Maybe that’s why I’m stuck, d’ya think?
- Talk to someone. Another writer, a friend who likes to read, a friend who hates reading but likes good movies….anyone you trust to give a damn if you need to vent about your writing frustrations. Sometimes, like anything in life, you’ll find the answer in talking about it. Sometimes, other people ask good questions and have good suggestions. And sometimes, you end up with a great brainstorming session.
- Chill out and do something else for a while. It may not look or feel like you’re writing to anyone else, but some of your best work as a writer happens when you’re not typing or scribbling things in a notebook. Daydream for a while. Cook. Draw. Color. Go to work. Get groceries. Take a shower. Take the dog for a walk. Go to the park. Call your mom. Go out with friends. Sleep on it. Your brain will still work on your story. The best part of your brain – your subconscious – is always working on your story. Just make sure you sit down at that computer or scribble in that notebook again tomorrow.
Well, since blogging about my frustrations seems to have pinpointed a trouble spot, I think I’ll go do something else for a while and then try sitting back down at the laptop again later!